Lincoln Dove Process by Clunie Fretton

Medieval carving is probably my favourite style of carving. At first glance, it can often appear simplistic or naive, but the more time you spend looking at it, the more complexity you see in it. Medieval carvings have a sense of freedom and instinctiveness in them that is wonderful to see. They weren’t made in the tighter, more rigorous mode of later carving, but instead in an intuitive way that somehow manages to make mistakes (often many), and not have it be to the detriment of the finished piece. Often, the mistakes make the carvings better for it. Carvers were working day in, day out, in one style, and it meant that they needn’t work to models or drawings for a lot of their carvings - in fact many of them appear to be created off the cuff. More complex scenes like those featured in miserichords may well have had some reference, but the running ornament and foliate details that are so often seen in cathedrals were forms the craftsmen would have worked with time and again, until they could be carved without needing to reference anything but their own experience. There were similar expectations of many of the carving workshops throughout history, that they should become so familiar with the form of ornament, but when this is combined with the almost playful medieval aesthetic, this lends the carving a fluidity that’s very appealing, and often a deceptive simplicity that belies the skill of the craftsman who made it.

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Acanthus Process by Clunie Fretton

 

I always enjoy the work I do, but there are times when it can become fiddly or frustrating. This piece of Rococo-style ornament was a form of stress relief for me when I was working on a particularly finicky restoration job. The job in question was in oak, and I was carving tiny pieces to replace ornament that had been damaged over the years. Oak tends to be hard and brittle when compared to other woods, and while it looks beautiful when it's finished I often find it frustrating to tease tiny details from it because a moment of inattention can mean the loss of that very fine edge you've spent all that time creating.

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Work & Process by Clunie Fretton

Following the restructuring of the website this section will now be detailing the work and processes behind what I do for those who are curious, leaving the other pages clutter-free for the incurious. I've always been a fan of minimalism. This seems to be the best compromise between keeping the site bare-bones and also being able to go into detail and de-mystify some of what goes into my work. The entries here will tend to be fuller and more informative than the shorter posts on Instagram.